I Wake a Little Off Center

posted November 23, 2010


I wake
A little off center
As if I am only able to inhabit
The left side of my body.
My skin itches
I am afflicted like Job
And sleepy like a bear
In late November.
Craving a cave instead of the sunlight.
The winds rise up as I set forth
Blowing debris out of their carefully raked piles
Into my face.
I raked those piles.
Is it my fault because I left them,
Foolishly thinking they would stay the night?

My only job to rake these leaves.
Give me a different job.

My heart is heavy these days
Too much death,
Too many fallen leaves.

And remains so
Until a friend calls,
Laughing
To say,
What I wouldn’t give for a rake
What I wouldn’t give for a tree.
You are so lucky.

“It is better to do your own duty
Badly than to perfectly do
Another’s”

And so I pick up the rake
Tidy the piles
Toss the fragments of leaf
Into the compost pile.

Perfectly at peace,
Even as I know
The winds could still come up again
And this time the fragments will be even smaller,
Mere dust
More painful to the eye.
Even so, Oh Lord,
I rake them again
For the love of you.

The Comments

Join the Conversation. Post with kindness.

Comments are closed.

Read More Like This

Know When To Hold ‘Em

My sweet little boy has croup. He’s been running a fever for a few days now, and last night he woke up at 3am with That Cough. We did all…

How to Launch A New Blog When You Already Have a Blog You Love

When I started this blog in 2004, my impetus was the immanence of Katryna’s maternity leave and the resulting fact that I was losing my platform. I needed a way…

Choreography: How to Save a Scene from Too Much Interiority

In her second novel Half of a Yellow Sun, Chimamanda Ngozi Adichie achieves an ideal to which I aspire: a smart, literary, highly readable love story full of cultural references, history, and vivid, textured characters––just the kind of novel I love to read and want to write. I was particularly impressed with Adichie’s technique in moving her characters around in space, as I have trouble with this. Choreography!!! I scold myself, scrawling the word in red ink in the margins of my drafts. More importantly, because of the way she weaves her character’s growing comprehension into the action of the scene using a skillful interplay of description, movement, dialogue, and interiority, we are riveted to both the inner world and the outer world of our protagonist, Olanna.