Choreography: How to Save a Scene from Too Much Interiority
In her second novel Half of a Yellow Sun, Chimamanda Ngozi Adichie achieves an ideal to which I aspire: a smart, literary, highly readable love story full of cultural references, history, and vivid, textured characters––just the kind of novel I love to read and want to write. I was particularly impressed with Adichie’s technique in moving her characters around in space, as I have trouble with this. Choreography!!! I scold myself, scrawling the word in red ink in the margins of my drafts. More importantly, because of the way she weaves her character’s growing comprehension into the action of the scene using a skillful interplay of description, movement, dialogue, and interiority, we are riveted to both the inner world and the outer world of our protagonist, Olanna.
